Support for display of multiple languages and characters simultaneously.Fingerprint-resistant oleophobic coating.5.8-inch (diagonal) all-screen OLED Multi-Touch display.Even with a flash, I found it hard to capture motion - and if I did, it was often out of focus. Portrait mode, while significantly better on the X than even the 8 Plus, is still not designed for movement. I was pretty happy with most of my end results, but it took a significant amount of in-camera tweaking on my part. When testing Apple's front- and rear-facing Portrait modes, I intentionally pushed them to their limits - shooting rear photos in sometimes impossibly-low light, forcing front-facing portrait to snap shots of multiple folks in various lighting arrangements, snapping inanimate objects and moving ones alike. (Better still, I haven't had to worry about moving gigantic HEVC files to the Mac to edit in Final Cut.) Portrait photography of the right now I've spent the last year editing roller derby videos (including the one linked above) entirely on the iPhone 7 Plus, 8 Plus, and X between iMovie and third-party wunderkind LumaFusion, I've been able to do an astonishing amount without ever needing to reach for my computer. On top of all that, you can edit and post video directly on your iPhone if you so choose. Combine that with the iPhone's software improvements and access to 240FPS slow-motion video, 24FPS 4K, and 60FPS 4K, and you have one of the most capable portable video cameras in your pocket. In fact, I'd argue that video - not portrait photography - is the iPhone X's true secret weapon: The improvements to the telephoto lens make shooting video in all lighting situations easier than ever. It says a lot about Apple's investment into mobile video that an iPhone, in 2017, can even come close to a sports highlight reel shot with a mid-range camcorder. That's a big deal for anyone who regularly needs access to slow-motion footage at 2x: I know I'll be using my X to record skating strides and gym movements, so as to analyze and perfect them in the future.Īs a quick comparison, here's a video of another derby event from press outlet Hit Squad TV, decidedly not shot with an iPhone (Hit Squad TV shoots with the $1500 Sony AX100): I hooked up my X to an external battery pack, but otherwise treated it like I was shooting in a normal environment during that time, the iPhone X barely got warm.Īpple's processors and ISP have gotten so good that shooting long bouts of 240FPS at 1080P is now as easy to manage as shooting 30FPS 1080P was a few years back. More impressively, the end video came from about 70 minutes' worth of 240FPS footage. I shot the video linked above entirely with the 2x OIS-stabilized telephoto lens at the 240FPS/1080P setting, without a tripod or any other stabilization device. But I'm still thrilled with what I got with what I shot with. ![]() They've taken beautifully-lit, crisp photos with sensors and glass far superior to mine. The results aren't going to rival the multi-thousand-dollar kits of my fellow shutterbugs. I also considered shooting in 1x (which has a notably faster response rate on button vs shutter) and zooming on shots in post-production, but the results were too pixelated for me to consider. I did briefly play with a few alternatives in my time on the floor: Third-party apps give you more manual control, but their button-to-shot timing is painfully slow when it comes to sports photography the same goes for Portrait mode, which requires far too much ISP calculation to shoot sports effectively at this point. Primarily, I shot in 2x Photo mode in the stock Camera app. I knew Apple's 2x "telephoto" lens had no chance of rivaling those kits, so I focused on the trackside shots I knew I could get: Effective physical closeups, and beautiful slow-motion footage. (ESPN was also in attendance to shoot the first place game, so god only knows how hard they were judging me.)īut once I got over photographer friends' tongue-in-cheek jokes, it was easy to fall into a rhythm with the iPhone. ![]() Even though I've met and chatted previously with many of the sports photographers in attendance, I still felt like a complete fraud bringing a tiny phone out on the floor next to camera rigs worth 8-10 times as much. But when our team finished playing for the weekend, it felt a little awkward bringing the iPhone X trackside.
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